Showing posts with label Philadelphia. Show all posts
Showing posts with label Philadelphia. Show all posts

Wednesday, March 3, 2010

The Streets of Philadelphia



Today was day two of our Philly shoot, and a big goal for the day was getting some B-roll of the city. B-roll is just pictures to go with words. Anytime you watch a movie, especially a documentary, you obviously aren’t just watching interview after interview. Pictures must illustrate the words people say or the audience is going to lose interest pretty quickly.

So our first stop of the day was at the ministry offices for the Augustinians. There we interviewed Fr. Jack Deegan, who founded “Augustinians Defenders of the Rights of the Poor.” I think he’s 75 years old, at least, and as Jody said in his interview is “taking on the biggest challenge of his life at a time when most people are looking to retire.”

Setting up an interview isn’t as easy as you might think. It’s not just plopping the subject in a chair and rolling tape. The lighting has to be perfect, the acoustics of the room must work, the chair can’t squeak, the heater can’t be running and on and on it goes. My job this shoot has been to do the audio. Essentially it comes down to being a good listener. It’s hard because my inclination as a reporter is to listen intently to the interview and the words being said, but with audio you have to be listening for everything else too. Did a Blackberry just cause interference with the mic? Should we wait for this truck to drive by the window, or just keep rolling? Are those just the voices in my head, or are there people talking in another room?

It’s an intense job, since the words are so important when you’re making a documentary. It’s also incredibly cool, since you have these fascinating interviewees literally talking in your ear all day.

So after we left the offices we did a driving tour of the city with Fr. Jack. He showed us the rougher neighborhoods in Philly, the authentically old Italian areas, and the areas that have been heavily influenced by new immigrants to Philadelphia and, of course, by poverty. It’s funny, whenever you go out on the street with a camera people are immediately aware of you. Some people make an effort to avoid being on film, while others, especially kids, make a point of doing something notable to get on screen.



Before our next stop we took a “quick” detour to the top of the Ben Franklin Bridge to get some B-roll of the city skyline.

After, we headed back to St. Rita’s Church for an ex-inmate support group meeting. Before the meeting we smuggled a camera on the subway in order to get some B-roll of one of the group members heading to the meeting. Apparently Philly Subway police are really sensitive about people filming on the trains, so we had to be wicked discreet, or risk having our camera confiscated. Which would have been a bit of problem…We filmed the meeting and, expectedly, some of the members were concerned about confidentiality. We tried not to be too invasive, so the meeting would run as it normally does, but whenever you set up gear and start filming people become more aware of their words and actions. However, I think what we got was fantastic.

It was a late night for us, and tomorrow we have a 6 a.m. wake-up before heading to prison. Cameraman Bruce joked that we’re lucky to be going to, and leaving prison on the same day.

I don’t know if I’ll be able to get the “Streets of Philadelphia” outta my head tonight, both the Springsteen song and the neighborhoods we saw today. More later.

Tuesday, March 2, 2010

Welcome to Philly


Today was our first day shooting in Philadelphia, and essentially my first time shooting anything anywhere. We're here to learn more about the history and work of the organization we're profiling: the Augustinians. After our first day with them, it's easy to see why their story is so compelling.

What sets the Augustinians apart from other Catholic orders is their incredible dedication to helping the communities they're a part of. So much of Christianity has been politicized to the point that we've forgotten the true spirit of it all. Jesus wasn't about rejection, or telling people what they could or could not do. His most basic and important belief was that all people have a duty to help those in need. That's what the Augustinians believe, and that's what we're trying to show on film.

Our first shoot of the day was at Villanova University. This is where the Augustinians first settled when they came to the United States from Ireland. All I knew about Nova was that they had a decent basketball team every few years. The campus is beautiful, with incredible architecture and an absolutely stunning chapel. On campus we interviewed Fr. Don Reilly, the Augustinian provincial, who really gave us a fantastic overview of who the Augustinians are and what they stand for.

Going from print journalism to documentary has been quite a transition. We rely on the people we're interviewing to tell the story, rather than being able to write it in our own words. We also have A LOT more gear. Being part of a film crew is like being a Sherpa on Everest. Everywhere we go we have to stuff 6 bags and suitcases into a car, then unload them at new locations, then drag them wherever we're going, then set everything up, get the shots or interviews, break everything down, then repack it and do it all over again. It's exhausting, but so worth it once you get that perfect shot or interview.

From Nova we went to St. Rita's Church, one of the Augustinian churches in a rougher part of downtown Philly. There they are building a center that will provide a variety of services to people in the neighborhood. After that we went over to a health clinic sponsored by the "Augustinian Defenders of the Rights of the Poor" that offers free care on Tuesday nights to those without insurance. This was really the first time we had to deal with privacy issues. Sometimes people simply would rather not appear on film, and we have to learn to work around those situations.

I was pretty stoked during set-up at the clinic when a few people we've been working with brought us some authentic Philly Cheesesteaks from Geno's. At that point it was our last shoot of the day and we were starving and exhausted.

The clinic was our final shoot of the day, so once we got back to the hotel cameraman Bruce, Jody and I went to a little French bistro called Caribou Cafe for dinner. The Kronenbourg, Salade Chevre Chaud and Crepes were a nice reminder of home (though not as good as Pain D'Avignon cuisine of course). Going out for meals and staying in nice hotels are some of the perks of this job.

Tomorrow we explore the neighborhoods of Philly and go to a support group for ex-inmates. I'm definitely getting used to lugging gear around, learning the set-up for a shoot and figuring out how all this stuff works. For now though, I really need some sleep.